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Northanger Abbey: A Longman Cultural Edition, by Jane Austen
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From Longman's Cultural Editions Series, Northanger Abbey, edited by Marilyn Gaull, presents key texts that illuminate the lively intersections of literature, tradition, and culture.
This edition places Jane Austen and Northanger Abbey in the major conversations of Romanticism, not just the gothic novel and female education. It places the novel in two contexts, 1798, when it was written, and 1818, when it was published, illustrating its relevance to both periods and the major writers, especially the poets.
This edition connects Jane Austen with the major Western literary tradition, from ancient myth, the Arabian Nights, to Cervantes, Flaubert, and Virginia Woolf.
- Sales Rank: #830220 in Books
- Brand: Brand: Pearson Education, Inc./Longman
- Published on: 2004-09-12
- Format: Unabridged
- Original language: English
- Number of items: 1
- Dimensions: 8.10" h x .80" w x 5.40" l, .74 pounds
- Binding: Paperback
- 328 pages
- Used Book in Good Condition
Amazon.com Review
Though Northanger Abbey is one of Jane Austen's earliest novels, it was not published until after her death--well after she'd established her reputation with works such as Pride and Prejudice, Emma, and Sense and Sensibility. Of all her novels, this one is the most explicitly literary in that it is primarily concerned with books and with readers. In it, Austen skewers the novelistic excesses of her day made popular in such 18th-century Gothic potboilers as Ann Radcliffe's The Mysteries of Udolpho. Decrepit castles, locked rooms, mysterious chests, cryptic notes, and tyrannical fathers all figure into Northanger Abbey, but with a decidedly satirical twist. Consider Austen's introduction of her heroine: we are told on the very first page that "no one who had ever seen Catherine Morland in her infancy, would have supposed her born to be an heroine." The author goes on to explain that Miss Morland's father is a clergyman with "a considerable independence, besides two good livings--and he was not in the least addicted to locking up his daughters." Furthermore, her mother does not die giving birth to her, and Catherine herself, far from engaging in "the more heroic enjoyments of infancy, nursing a dormouse, feeding a canary-bird, or watering a rose-bush" vastly prefers playing cricket with her brothers to any girlish pastimes.
Catherine grows up to be a passably pretty girl and is invited to spend a few weeks in Bath with a family friend. While there she meets Henry Tilney and his sister Eleanor, who invite her to visit their family estate, Northanger Abbey. Once there, Austen amuses herself and us as Catherine, a great reader of Gothic romances, allows her imagination to run wild, finding dreadful portents in the most wonderfully prosaic events. But Austen is after something more than mere parody; she uses her rapier wit to mock not only the essential silliness of "horrid" novels, but to expose the even more horrid workings of polite society, for nothing Catherine imagines could possibly rival the hypocrisy she experiences at the hands of her supposed friends. In many respects Northanger Abbey is the most lighthearted of Jane Austen's novels, yet at its core is a serious, unsentimental commentary on love and marriage, 19th-century British style. --Alix Wilber
From Library Journal
Austen is the hot property of the entertainment world with new feature film versions of Persuasion and Sense and Sensibility on the silver screen and Pride and Prejudice hitting the TV airwaves on PBS. Such high visibility will inevitably draw renewed interest in the original source materials. These new Modern Library editions offer quality hardcovers at affordable prices.
Copyright 1996 Reed Business Information, Inc.
Review
Novel by Jane Austen, published posthumously in 1817. Northanger Abbey, which was published with Persuasion in four volumes, was written about 1798 or 1799, probably under the title "Susan." In 1803 the manuscript of "Susan" was sold to the publisher Richard Crosby, who advertised for it, but unaccountably it was not published at that time. The novel combines a satire on conventional novels of polite society with one on gothic tales of terror. Catherine Morland, the daughter of a country parson, is the innocent abroad who gains worldly wisdom: first in the fashionable society of Bath and then at Northanger Abbey itself, where she learns not to interpret the world through her reading of gothic thrillers. --The Merriam-Webster Encyclopedia of Literature
Most helpful customer reviews
133 of 137 people found the following review helpful.
Absolutely delightful
By Daniel Jolley
I approached this book somewhat warily, knowing that Northanger Abbey was to some degree a satirical take on the immense popularity of Gothic romances such as Ann Radcliffe's The Mysteries of Udolpho, a book I dearly love. Happily, Austen's means of poking fun at Gothic horror literature are far from mean-spirited and, as a matter of fact, can be delightfully humorous indeed. Her heroine, Catherine Morland, is by no means the type of heroine to be found in the giant tomes of Radcliffe and her indulgent imitators, as Austen tells her reading audience directly from the very start. "Almost attractive" on a good day, this unintellectual tomboy has reached her fifteenth year without inspiring a young man's fancy, nor would she be able to delight him with musical skill or even draw his profile in her secret notebooks if she had. Having encountered no strangers who would prove to be a lord or prince in disguise, her heroic ambitions seem stymied at best until fate steps in and grants her a stay of several weeks in the delightful town of Bath. Making her transition from naïve girl to equally naïve young lady, Catherine almost immediately falls quite in love with young Henry Tilney, while at the same time she becomes intimate friends with an older young lady named Isabella, whose inconstancy as both friend and intended beloved of Catherine's own brother eventually brings her much pain. To her intense delight, however, Catherine is invited by General Tilney, Henry's father, to spend some few weeks in his home, Northanger Abbey. Her joy at spending such private time in the company of her beloved and new best friend Eleanor Tilney is immense, but equally exciting to her is the chance to spend time in a mysterious former abbey of the sort she has read so much about. Such Gothic romances as Udolpho have been the source of her recent heroic training, and she is wildly desirous and fully expectant of discovering hidden passages, dark secrets, frightening circumstances, and possibly even incalcitrant perfidy in the halls of her beloved's family home. Her overactive imagination runs wild in Northanger Abbey, bringing her a fair share of embarrassment, but the very sweet and tender sensibilities that fuel her fire for Gothic mystery make her all the more endearing to me. Catherine is remarkably innocent, and as such she is absolutely delightful in my eyes.
Much of the story does fit in with your typical Gothic novel, but the frightening and dismaying things Catherine eventually discovers are of a far from supernatural sort. Ever so gradually, a true monster slowly coalesces from the pages of this remarkable novel. I, like young Catherine, was somewhat overenthusiastic concerning the Gothic qualities of this adventure I feel I shared with her, and the truly despicable thoughts and actions of the book's villain did not immediately strike me as forcefully as they should have; the afterword by Elizabeth Hardwick included in my Signet Classic copy of the book, however, served to make me fully comprehend its import. Greed, selfishness, pride-these are the horrors of Northanger Abbey, and it does deeply hurt a reader of romantic sensitivity to stand idly by, unable to aid and assist a sweet young lady such as Catherine in her time of despair and emotional suffering.
Lovers of Gothic horror or literature in general will surely find nothing but delight in the pages of Northanger Abbey. Austen's critique of Gothic literature is quite subdued, and I actually find immense pleasure in the overindulgence the author sometimes employs in her attempts to satirize it. Written by Austen at a tender age (though not published until the year following her death), Northanger Abbey features incredibly human, complex characters full of wit and charm. The hidden motives of seemingly delightful friends is brought to light, teaching young Catherine as well as the reader a painful lesson in real life, yet romance stands at the ready to right the wrongs of self-interest, deception, and greed. I absolutely adore this novel and everything about it.
69 of 72 people found the following review helpful.
A hilarious sendup of the Gothic novel
By A Customer
I used to love Gothic novels. I collected out-of-print Victoria Holt paperbacks, I had stuffed animals named after characters in Charlotte and Emily Bronte novels, but ever since I've read Northanger Abbey, I can't read a Gothic novel with a straight face. Jane Austen does a marvelous job of sending up convoluted scary novels (and melodrama in general) in this book, and creates her most masculine and fascinating hero, Henry Tilney.
Don't think that Catherine Morland, the heroine, is just a naive kid. Her naivete is a necessary component of the novel, as it allows her to see the wider world with fresh eyes, provide a foil to the more worldly characters, and ultimately capture the heart of the hero.
And then there's Henry...he teases, he teaches, he forgives Catherine's regrettable fancies, knowing that he had a hand in encouraging them. He's witty, he's charming, he's kind of a slob, and he wears his greatcoats so well!
As in all her novels, Jane Austen provides a great host of hilarious supporting characters, in particular John and Isabella Thorpe and Mrs. Allen. I defy anyone not to laugh at John Thorpe's nonsensical and contradictory comments. One wonders how many such "rattles" wearied Miss Austen's attention to provide such a character study.
Great writing, great story, great characters...come to Northanger Abbey with a sense of humor and you will not be disappointed.
58 of 62 people found the following review helpful.
Charming Demeanor, Wickedly Funny
By Emily Snyder
" "I see what you think of me," said he gravely--"I shall make but a poor figure in your journal tomorrow."
"My journal!"
"Yes, I know exactly what you will say: Friday, went to the Lower Rooms; wore my sprigged muslin robe with blue trimmings--plain black shoes--appeared to much advantage; but was strangely harassed by a queer, half-witted man, who would make me dance with him, and distressed me by his nonsense."
"Indeed I shall say no such thing."
"Shall I tell you what you ought to say?"
"If you please."
"I danced with a very agreeable young man, introduced by Mr. King; had a great deal of conversation with him--seems a most extraordinary genius--hope I may know more of him. That, madam, is what I wish you to say." "
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
"Northanger Abbey," the first, shortest, most satiric, and least read of Jane Austen's completed novels, is a delightful treasure that will make you quite literally laugh out loud (so beware bringing the book to the airport, as I did, lest you suffer strange glances for your smothered sniggers). Following the journey of the coming-of-age Catherine Morland and her misadventures in Bath to the "horrid" Abbey, Jane Austen presents us with perhaps her funniest sociological book, that proves not only that teens will be teens in any age, but that an overactive imagination is not always a blessing, and that love is often the result of being loved. Readers should keep on the lookout for the commentaries on novels, feminine wiles and homecomings from Austen herself - a technique subdued in her other novels. The cast also includes Jane Austen's wittiest hero, Henry Tilney (a.k.a. "Da Man"), as well as a female foil more duplicitous than "Sense and Sensibility's" Lucy Steele. The Signet Classic edition boasts a good introduction by Margaret Drabble, perhaps better read after the text as a commentary. Best viewed as a comedic parody, "Northanger Abbey" is a pleasure to read, whether you are a long-standing member of the JASNA, or just dipping into the boisterous literature of the Regency.
Felicitous reading! Yours, &c.,
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