Free PDF The Contemporary American Short Story, by Bich Minh Nguyen, Porter Shreve
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The Contemporary American Short Story, by Bich Minh Nguyen, Porter Shreve
Free PDF The Contemporary American Short Story, by Bich Minh Nguyen, Porter Shreve
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This comprehensive anthology of contemporary American short fiction focuses on the story and its context from 1960 to the present. A special Introduction discusses the elements of tone, point of view, character, etc. and ideas such as realism and postmodernism.
The over 50 stories featured in Nguyen and Shreve's anthology range in style from the traditional narrative to experimental forms. Classic stories are juxtaposed with newer, emerging voices. The stories featured are thematically diverse as well, addressing issues of family and culture, love and loss, ethnicity and gender. 1
- Sales Rank: #846014 in Books
- Brand: Brand: Longman
- Published on: 2003-10-26
- Original language: English
- Number of items: 1
- Dimensions: 8.10" h x 1.50" w x 5.40" l, 1.70 pounds
- Binding: Paperback
- 672 pages
- Used Book in Good Condition
From the Back Cover
This comprehensive anthology of contemporary American short fiction focuses on the story and its context from 1960 to the present. A special Introduction discusses the elements of tone, point of view, character, etc. and ideas such as realism and postmodernism.
The over 50 stories featured in Nguyen and Shreve's anthology range in style from the traditional narrative to experimental forms. Classic stories are juxtaposed with newer, emerging voices. The stories featured are thematically diverse as well, addressing issues of family and culture, love and loss, ethnicity and gender. 1
Most helpful customer reviews
23 of 23 people found the following review helpful.
GREAT collection of stories
By A Customer
This is an amazing collection of contemporary stories and essays about writing by contemporary writers. The commentary is beautifully written, and the history of short stories very helpful and informative. There are also story groupings in the back (chronological arrangements, stories grouped by subject and theme, which are useful either for teaching or for study for individual writers trying to figure out how stories work. As a reader, writer, and teacher, I really appreciate having such a good balance of stories by men and women, and from writers from all kinds of backgrounds. It makes for a much richer and more interesting book -- this is one I'd take to a desert island, to remind me of the pleasures and problems of life in the world.
This site doesn't list the stories, which are a great assortment of all different kinds of styles and techniques: Sherman Alexie, "Because My Father Always Said He Was the Only Indian Who Saw Jimi Hendrix Play 'The Star-Spangled Banner' at Woodstock." Dorothy Allison, "River of Names." Margaret Atwood, "Happy Endings." Toni Cade Bambara, "The Lesson." Andrea Barrett, "The Littoral Zone." John Barth, "Lost in the Funhouse." Donald Barthelme, "The School." Richard Bausch, "The Man Who Knew Belle Star." Charles Baxter, "Gryphon." Ann Beattie, "Janus." Gina Berriault, "The Birthday Party." Raymond Carver, "Cathedral." John Cheever, "The Swimmer." Sandra Cisneros, "The Monkey Garden." Peter Ho Davies, "The Hull Case." Junot Díaz, "Fiesta, 1980." Andre Dubus, "The Fat Girl." Stuart Dybek, "Pet Milk." Nathan Englander, "In This Way We Are Wise." Louise Erdrich, "The Red Convertible." Carolyn Ferrell, "Proper Library." Richard Ford, "Communist." Karen Joy Fowler, "The Elizabeth Complex." Pam Houston, "How to Talk to a Hunter." Gish Jen, "In the American Society." Ha Jin, "The Woman from New York." Charles Johnson, "Menagerie: A Child's Fable." Denis Johnson, "Emergency." Jamaica Kincaid, "Girl." Jhumpa Lahiri, "The Third and Final Continent." David Leavitt, "Gravity." Andrea Lee, "Brothers and Sisters Around the World." Ursula K. Le Guin, "The Ones Who Walk Away from Omelas." Bernard Malamud, "The Jewbird." James Alan McPherson, "Of Cabbages and Kings." Bobbie Ann Mason, "Shiloh." David Means, "What They Did." Lorrie Moore, "Which Is More Than I Can Say About Some People." Bharati Mukherjee, "The Management of Grief." Alice Munro, "The Turkey Season." Joyce Carol Oates, "Where Are You Going, Where Have You Been?" Tim O'Brien, "The Things They Carried." Flannery O'Connor, "Everything That Rises Must Converge." Grace Paley, "Wants." Jayne Anne Phillips, "Satisfaction." Mark Richard, "Strays." George Saunders, "My Flamboyant Grandson." Akhil Sharma, "Surrounded by Sleep." Leslie Marmon Silko, "Yellow Woman." Susan Sontag, "The Way We Live Now." John Updike, "Here Come the Maples." Helena Maria Viramontes, "The Moths." Kurt Vonnegut, Jr., "Harrison Bergeron." Alice Walker, "Everyday Use." John Edgar Wideman, "newborn thrown in trash and dies." Tobias Wolff, "The Rich Brother." Sherman Alexie, " The Joy of Reading and Writing: Superman and Me." Dorothy Allison, "Context." John Barth, "A Few Words About Minimalism." Richard Bausch, "Dear Writer." Raymond Carver, "On Writing." Charles Baxter, From "Burning Down the House." Jamaica Kincaid, "Those Words That Echo...Echo...Echo...Through Life." Bharati Mukherjee, "A 400-Year-Old Woman." Alice Munro, "What Is Real?" Joyce Carol Oates, "Why Is Your Writing So Violent?"
Flannery O'Conner, "The Nature and Aim of Fiction."
0 of 0 people found the following review helpful.
A Required Text for My Students
By Rocco Dormarunno
Over the years, I have relied on several textbooks to teach from for my Introduction to Modern American Literature course. In recent semesters, for the fiction segment of the class, I have been using Nguyen and Shreve's "The Contemporaty American Short Story", and made it a mandatory text for the students. The selections are generous and, more important, wide-ranging in styles and cultural representation. I am also glad that the term "Contemporary" includes stories written almost half a century ago (Cheever's "The Swimmer" was published in 1964). So the stories are not only cross-cultural but also cross-generational.
Another note: While college students tend to sell back their textbooks or sell them to other students, many of my students have told me that they have held onto the book and continued reading the short stories not covered in class. That is high praise, indeed.
0 of 0 people found the following review helpful.
Good selection of stories - that is not my problem ...
By IndianaBookReviewer
Good selection of stories - that is not my problem with the product. I would consider using this in one of my future creative writing courses, only the work presented here is exclusive rather than inclusive. Not a SINGLE gay story by a gay male writer. No Andrew Holleran, Edmund White, nor Felice Picanos. These days, my thought on the best way to teach a class is to have this on hand, scan from it the stories you want to teach, supplement with other stories (gay and straight) and have a packet available at a copy store. Plus assign Burroway and a small press collection by a new writer (that year's Flannery O'Connor Award winner, perhaps). This way students get a WIDE variety, and are privy to what is happening in the publishing world that very year.
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