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Imaginative Writing: The Elements of Craft (Penguin Academics Series), by Janet Burroway
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Written by best-selling author Janet Burroway, Imaginative Writing is an introductory creative writing book that covers the four genres: essay, fiction, poetry, and drama,. Part I addresses the elements of craft (Image, Voice, Character, Setting, Story, and Development and Revision) while Part II explores the genres (Essay, Fiction, Poetry, and Drama). "Try This" Exercises appear throughout each chapter. Provocative and fun, the exercises help readers develop the specific writing skills discussed within the chapters. The book also includes an anthology of 90 complete readings in the four genres. Photographs and graphics, with accompanying warm-up activities, open each chapter. Appendices include collaborative exercises to emphasize the sensory foundations of imaginative writing, a description of standard formats for submitting finished work in each of the four genres, and an outline of the basic elements of prosody. For those interested in developing their creative writing skills.
- Sales Rank: #895374 in Books
- Published on: 2002-08-05
- Original language: English
- Number of items: 1
- Dimensions: 9.22" h x .76" w x 6.38" l,
- Binding: Paperback
- 448 pages
Most helpful customer reviews
87 of 89 people found the following review helpful.
Fresh?
By indypoet
Not to start a war here, but Janet Burroway's book *is* fresh, and it's the best, most comprehensive multigenre text on the market. And it's affordable both for university students and writers who want to use it on their own. No, it's not full of inspirational gobbledygook and gimmicky suggestions to touch the heart of the writer. Instead, it's a very smart book that asks the writer to join in the long histories of the genres it discusses and offers the most succinctly articulated descriptions of techniques and approaches that will not only get a writer started writing but that will also help that writer understand what makes good writing good. The most innovative aspect of Burroway's book is that it takes creative writing as a whole and discusses those basic elements that make all writing good, from the need for concrete imagery that says something to the need for narrative to move and develop across a work. And it offers dozens and dozens of recent examples to illustrate its points. As an anthology alone, this book would be a good read. But Burroway's comments very aptly help a reader to understand what is working well in each of her excerpts. No, it doesn't offer up elaborate metaphors about bones or light or any inner writing child as a way to nurture the soul of the writer. But from my experience as a writing instructor, it's not the soul of the beginning writer that needs nurturing. This book understands quite well the need to nurture the mind of the writer first.
24 of 26 people found the following review helpful.
An excellent book for the writing classroom
By A Gothic Fiction Lover
I couldn't disagree more with the one-star review below. I find this such a useful and helpful multi-genre book that I have adopted it for use in my creative writing class here at the University of Alabama. Just an excellent book!
22 of 31 people found the following review helpful.
Just OK
By JackOfMostTrades
Burroway's book is just OK. That's about the gist of it. Her methodology is ok, devoting a chapter to the essential ingredients of creative writing, i.e., style, image, tone, voice, point of view, etc., but she sticks writing samples together, regardless of genre, so you'll get a short story and an essay along with some poems to illustrate a particular mode. This can be confusing to beginning writers since you pretty much have to overlook the form of the writing in analyzing the particular point she is attempting to stress. It's nice to try to integrate playwriting samples and exercises into a creative writing book but since performance is such an essential part of theatre, without some background in theatre going, the beginning writer may be putting "de horse before Decartes." (Sorry, John Simon, for stealing your line--but I acknowledge your cleverness). The writing exercises at the end of each chapter are typically adequate and she does offer some "body work" exercises borrowed from acting warm-ups, but in the end, it all doesn't quite mesh. I recommend "Mooring Against the Tide" for its methodology, informed examples--both from "professionals" and students--and its treatment of creative writing both as a craft and an ineffable art. At the very least, if you do find this book helpful, you should have an intuitive sense WHY people feel compelled to do creative writing. Otherwise, this book might just contribute to the M.F.A. style of creative writing so prevalent these days that come out of writing programs by the highly verbal, affluent kids who want to show off how clever they are, and rush off to medical school a couple of years after they aren't "making it."
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