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Style: Ten Lessons in Clarity and Grace (7th Edition), by Joseph M. Williams
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The best-selling style book, Style: Ten Lessons in Clarity and Grace, Seventh Edition , presents principles of writing to help students diagnose their prose quickly and revise it effectively. The four sections-Style as Choice, Clarity, Grace, and Ethics-feature new principles of effective prose, chapter summaries for quick and easy review, and group exercises that encourage students to work and learn together. Williams offers these principles as reason-based approaches to improving prose, rather than hard and fast rules to writing well. Style, 7/e, empowers students to use their writing not only as a tool to identify and solve problems, but also as a method for exploring their own thinking.
- Sales Rank: #274757 in Books
- Published on: 2002-08-07
- Original language: English
- Number of items: 1
- Dimensions: 8.80" h x .50" w x 5.10" l,
- Binding: Paperback
- 288 pages
Most helpful customer reviews
41 of 43 people found the following review helpful.
The best guide to clear writing
By Grumpy
I taught writing for 10 years at the University of California, and tried a variety of books. The course was oriented toward clear, effective writing -- writing as communication, rather than writing as "little golden thoughts of me." No book teaches these skills as well as Williams, none is even close. There are books that can teach how to write one clear sentence, and Williams does this too. But "Style" takes the next step and shows how to organize a sequence of sentences in a way that makes it easy for your readers to follow an argument or understand an explanation.
The course produced a real improvement in student writing, an improvement that they could see and appreciate. Most of them said it was among the most useful courses they had taken at college.
30 of 31 people found the following review helpful.
It's like a favorite teacher
By Joseph Judge
I am an independent corporate trainer who teaches people to write better at work. When my students ask me for good books to learn even more, this is the first book I mention. I tell them, "If you are a good writer and you want to be a very good writer, get this book."
I also tell them several other things about the book. First, it is not a book of lists like the excellent resource, The Elements of Style. Instead, it's a challenging textbook that is informative and compelling from beginning to end. Second, it teaches a novel way to keep readers interested in what you are writing. Basically it's narrative, or story telling, within each sentence. Third, it provides guidance on advanced topics such as emphasis, elegance, and ethics. Topics like these might seem esoteric or irrelevant, but the author makes them easy to understand and shows why they are useful, and he does it in a way that is fun to read.
This book is one of those few textbooks that you will remember the same way you remember that favorite teacher. Like that teacher, it brought you to a new level of knowledge, and it did it with humor and style.
I rated this book 5 stars because I think it is superior in all categories for a textbook: useful content, insightful author, clear exposition, skillful publishing, and reasonable price.
34 of 36 people found the following review helpful.
Best of the Best
By Amazon Customer
It is difficult to know where to begin. I am writing a brief review of this book to counter the negative reviews I read. I was stunned: I expected to read rave reviews of Professor Williams' book. Without wanting to offend anyone, they are for the most part so far off the mark I would think they were talking about another book.
One author mentioned Strunk and White's book as the ideal. As much as I loved this book when I was young, it seems slightly old-fashioned, even quaint now, and encourages an attention to rules that seems superficial. On the other hand, Williams' book takes advantage of the more systematic, deep approach to language, rhetoric and communication that was developed by the best linguists of the 20th century. There is a good reason that this book has had so many editions for such a long period of time (now in the 8th edition). It is because it is based on an insight that touches a deep truth about communicating in writing: that subjects and verbs, or characters and their actions as Williams helpfully calls them at times, form the basic elements of the English sentence. It is Williams' ability to draw out the implications of this simple truth that gives his book its genius. Emerson once said that rhythm is the deep structure of the universe (he said it better but I can't remember his words); I feel that Emerson would smile in agreement at Williams thesis: that it is an understanding of the significance of the basic character/action relationship between the subject and verb that gives a sentence its strength and, on a "higher" level, the same systole/diastole relationship between theme and discussion that gives a paragraph its strength.
I am by no means doing Professor Williams' book justice, and I would not have written this review if the others had not been so, well, wrong. His writing bad? On the contrary, good writing, as Williams points out in a useful addition to one of the later editions of his book on controlling longer sentences, does not mean Dick and Jane type sentences, and he does not allow himself to fall into Strunk and White's tendency to oversimplify in explaining his ideas. I am now directing an English language program at a major university in Thailand after teaching English at Indiana University for 20 years, and I was recently asked to teach a graduate course on writing. What book did I first reach for in looking for the most substantial, concrete, practical and useful lessons on writing so that my students would not be exposed to the usual platitudes on omitting needless words and relying on your taste to be your guide? Professor Williams' book of course. It is the best of the best and will reward you endlessly as you apply his basic insights in your own writing.
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